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Th😂😍🤔is long-lost masterpiece of😁% har🤮😚😋🤢dcor!(e gay ero/tic cinema cent:🤕😅ers😙😊 o+🤫n 😗[😔(a h😐😊😋🤤andsome *youn😘🤗,g s😒😴tud who ri+😙de🙂🙄s h😑] `,is motor=😃,cycl😚e throu.gh ;🤗myriad ,😌😒sexua _🤣!l enc😍ount😘😘@😐ers, from a s😑😬😑😪occer game’s locker room t😬;😁🤐o a phantas😌🤕 😆magor😬🤩🤔🤢i😏🤮c and d😀😉🤢eeply 🤫^m[;el;🤐[anchol😗😛[y orgy. A lab🥰yrin😌😐. t😌😍h of all-male 😗f+😌antasies whose outsta😝nding beaut🤪)]😛ies alw /ays en😇😏d up fa[$\ding(🥰😪 +😘🤒away while leaving the%🙃ir sen😛.sual pr,otago\ ?nist dealing with h?😐😐😪i🤗*s o^w🤭🤭😁😋n loneliness,
$😛 EQ🤔😆😅`😑UATION was 
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🤮😉cted with 🤕?supreme grac#e by the mysteri😇 +ous 😄🤢:😴Di🤕etri🤕😌ch de Velsa (aka Francis Savel/F😶=😒rantz 😏)🤪🙄Salieri/ 🤫🙃😒)🤑😷. A former 😍😬p😙ai😛(😘n😬🤪t🤫=😪😝er, de 😝?Velsa was😪=😐😚; 😃🤗al😙😌so) the ow^🤭:@ner /@a;=+nd a🤒-`rtistic director o,🤐f La 🤣Grande 🙃Eugène, on=e o😃f the f/😙irst drag caba🤥rets i😆n Paris. #?😜`Ye%😇ars la😚😇🤮-🤣ter, he 🤕c😘😒ollaborate😙🤪d 😐 with Jo😉🤣seph`😪🙃🤭 Lo 😉sey on 🤑;-MR. KL]🤣EI/🤗N 🤫🤐😃(1976) 😋and 😏🤪🥰DON😬$😂 GIOV🤐😴.🙄AN🙂*NI (19`
😇😊😇79). 🤫🤕@[😴Hi😪🤒s o🤩😀#ne and on🤢😝ly fi$😉lm, EQUATION TO AN UNKNOW🤫🙂N stands as one😶😷 of 😙 😒the most extrao😀 😀^😙rdina🙄😪ry erotic films of 🥰😝`all,🤪 ,😃 time🤗😆*..
“The😚\😌😑🙂 m 😊ost 🤢😬@melanch*😅🤗olic🤢`^😀 porn film I’ve ever s🤨(e🤔,en.😬 🤑🤗😏It’s v.😚🤮e😇🙂😋ry sad, a🤣😔nd ae(😁sthe🤗:🙃tically beautiful🤔. Ju🤢[`st a you!🤐😒n!😇🤕@🤣g man wande+😴🤕ri:[😄n🤐😇g th😀😚🤭rough seve+:ral(@ 🤥depic@`]tion😗s of love and c🤕_^😀😜horeographies🤨? 😔of love-making; it’s like 😚🤥a ce_😴remon😋🙂= y, a ;😋;ceremony of fan #tas😐😛ies,😪😗🤕🤭😗 especially 😍🤤the
😌😜l?😔😷😶as😛😴t s😬equence where t^he ma🤨@.in characte🤑r re🤗?😌calls😆^😑# all his=🤕😌 previ$😶ous fantasi]😚😏es, 😴🤪🤫 %which come one by one aro🥰=und his 😔🤣bed and m!ake🤫/
+ lov😉🤫e 😔t😝 😊o him😆😇. I thi😒?nk i😑t’😐🤢😇s one of the m😑^ost beautiful fi😆/lm sequenc😌😀🤮/es o🤢f🤗🤫 😒
Frenc🙄😊😄😬h ci😉😊nema😉.” –Yann Go😂🤗nz🤒😌😅alez